![]() basically any way you'd want to use it, you can use it for the rest of your life. (For example, I bought some selections that were created by Richard Band, who scored Re-Animator, the Puppetmaster series, Stargate SG-1 episodes, and a bunch of other stuff.) When you buy this music, a lot of what you are paying for is the rights to use and distribute it, and their licensing gives you unlimited rights to distribute nationally or internationally, professional broadcast or not, and on the Internet. Some of their music is the typical, horribly cheesy stuff that comes to mind when I think "royalty-free music" however, the other 50% of what they have is extremely good and sounds exactly like what you would hear on TV or in the movie theater. and it still wouldn't have come out very good after all that work. This is something that would have taken me at least an hour if I was doing it directly in Premiere using volume controls and various envelopes. You just drag it to whatever length you want, and it automatically extends or reduces the segments of the song (without changing out they sound) to make it last longer or end quicker, depending on what you need.Īlso very handy is the fact that there are built in "hits" and flourishes you can use to quickly and easily add a dramatic effect, whoosh, or impact at a key point in time.īy using these features, I was able to add a soundtrack to this video: You know what else is huge? The program automatically adjusts the length of the track to fit your video segment. So you simply click a drop-down to select from the various "moods" or themes of the same piece (this works for both single-track and multi-track files), and then you can also select the style of instrumentation, and you can adjust the volume/gain sliders for each separate instrument track. It means I can take a full orchestrated score and get rid of all the flourishes to have a minimalist drum-and-bass segment, then bring the other instruments back in. On top of that, their newer music is multi-track, which means that you not only get multiple related themes, but each one can be tweaked on an instrument-by-instrument basis. ![]() It sounds like just a song when you preview it, but you are actually getting a variety of thematic moods and variations of the same piece. See, when you purchase these royalty-free music CDs, you're getting more than it seems. Their program, SonicFire Pro ($99), is like your typical audio/video editor (shows tracks, allows you to sync audio to video, etc.), but the way it works with their SmartSound music is nothing short of wonderful. I wasn't too excited that these cost $30 per track or $100 per CD (usually with 10 tracks), but then I looked more into the program and what it can do, and I was sold. ![]() Then I discovered SmartSound, a company that licenses professionally-made royalty-free music for your use. However, the main problem I had with Cinescore is that the palette of music to work with was very narrow, and a lot of the music is pretty cheesy and generic-sounding. So I looked into a variety of options, such as Sony Cinescore, which I had noticed a lot of people using for random camera demos and such on YouTube. I can do a few things okay (basically two things: creepy horror/suspense soundtrack, and ambient/progressive electronica), but it's really not worth my time and effort to do that every time I am editing something. which would give me ultimate control and would be more impressive if I told people I made the music myself.īut in the end, I am not a professional musician. I considered doing it by hand, making my own music, etc. ![]() So, I decided to bite the bullet and invest in a royalty-free system of scoring my videos and short films that I am making or plan to make. ![]()
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